The Top 10 Trends From Fashion Month

“Fashion shows are for transporting people,”

Balenciaga

designer Demna Gvasalia

told Vogue

this season, “otherwise there’s no point.” His show was one of the season’s most surreal transports. He compared working on a collection presentation to working on a movie, and in fact, it was Luc Besson’s studio on the outskirts of Paris where he held his show, in a digital tunnel that dripped, melted and swooped through a simulated reality. It was the work of the digital artist Jon Rafman, whom Gvasalia had met at Art Basel, and the effect was practically mind-melting, a digi-dystopia for an elegant but surreal collection.

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He wasn’t the only designer to incorporate artwork into the runway experience. At

Loewe

, Jonathan Anderson installed several rooms of artwork at Maison de l’Unesco for his show: There were woven baskets in some (by Joe Hogan, a finalist for this year’s Loewe Craft Prize and one of its past winners), ceramics in others (by Ryoji Koie) and, in the room where I was seated, giant whirring brushes of the kind that you might otherwise find at a car wash (by Lara Favoretto) — after the show, security guards gleefully posed alongside them. And at Vivienne Westwood, Andreas Kronthaler went full circus. He worked with Bernhard Willhelm, who art directed the show; there were musclemen riding scooters and models riding skateboards and, as a centerpiece, an enormous paper sculpture by the London-based

set designer Gary Card

, who spent the show in the middle of it all, fixing and remolding it with a team of assistants wielding bottles of flame retardant. The cumulative effect — and how often can you say this at a fashion show — was a good time had by all. — MATTHEW SCHNEIER, deputy fashion critic and reporter, Styles

This is is a syndicated post. Read the original at www.nytimes.com

fashion outfits, fashion tips, makeup ideas, fashion trends


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